4 Rom-Com Movie Masterpieces to Stream Before March 2026 Ends
February’s gone; the rom-coms stay. The Watch With Us team spotlights feel-good hits—When Harry Met Sally, Clueless, Hit Man and more—that prove love and laughs are year-round.
February is gone, but romance doesn't check a calendar. I cued up four rom-com heavy hitters for March, each a different flavor of swoon, chaos, and actual laughs. Where to watch included, because nothing kills a vibe faster than hunting through six apps.
- 'Annie Hall' (1977 ) - Tubi
- 'It 's Complicated' (2009) - HBO Max
- 'Moonstruck' (1987) - Peacock
- 'There's Something About Mary' (1998 ) - Hulu
'Annie Hall' (1977) - Tubi
New York comedian Alvy Singer (Woody Allen) autopsies his breakup with nightclub singer Annie Hall (Diane Keaton) by talking straight to the camera, hopscotching through time, and dropping in surreal asides that feel like memories sneaking into the room. It isn't just a love story; it's a whole self-examination, complete with Brooklyn childhood flashbacks, awkward misreads, and those painfully specific moments you pretend didn't happen.
The thing still plays, almost 50 years on, because the writing cuts clean and the performances feel lived-in. Keaton gives the performance that basically set the tone for her screen persona, and honestly, it might still be her best. The mix is the magic: genuinely funny, quietly sad, and constantly toggling between insecurity and joy. And because I know somebody will ask after a recent viral typo: yes, Diane Keaton is very much alive.
'It's Complicated' (2009) - HBO Max
Jane (Meryl Streep) runs a bakery that could double as a Pinterest mood board. Her ex Jake (Alec Baldwin) is a successful attorney. They've been divorced a decade, share three grown kids, and somehow stayed friendly while he married the younger woman he cheated with (Lake Bell). Then, after drinks at their son's graduation, the exes do the one thing they absolutely should not do... and keep doing it. Meanwhile, Jane's architect Adam (Steve Martin) quietly falls for her, because of course he does.
File this under classic Nancy Meyers: cozy, immaculate, and aspirational, but also grounded enough to feel human. Streep and Baldwin have warm, believable chemistry, the jokes actually land, and the story treats desire past a certain age like a real, complicated thing instead of a punchline. It's romantic, it's messy, and it's not interested in pretending grown-ups are simple.
'Moonstruck' (1987) - Peacock
Loretta Castorini (Cher ), a pragmatic Italian American widow, has agreed to marry steady, older Johnny Cammareri (Danny Aiello) because, well, life. Then Johnny heads to Sicily to hover by his dying mother 's bedside, and Loretta meets his estranged younger brother Ronny (Nicolas Cage), a flour-dusted, hot-blooded baker who feels everything at a 12. Sparks, meet kindling. As Loretta tumbles into Ronny's chaos, she has to pick between the safe plan and the hungry, inconvenient love that just arrived uninvited.
"Snap out of it!"
Cher won her first Oscar for this, and you can see why: she grounds all the operatic feelings with deadpan clarity. Cage counterpunches with volcanic romanticism, and together they hit that irresistible opposites-attract wavelength. It's loud, funny, and deeply forgiving about how love actually looks when families, history, and impossible timing get involved.
'There's Something About Mary' (1998) - Hulu
In 1985, awkward nice guy Ted ( Ben Stiller) is about to take dream girl Mary (Cameron Diaz) to prom when a mortifying bathroom mishap ends the night before it starts. Years later, still convinced she's The One, he hires private eye Pat Healy (Matt Dillon) to track her down. Bad call: Pat meets Mary, falls for her, and feeds Ted garbage intel to keep him away. Ted heads out himself and discovers he's not the only guy who thinks Mary's the sun around which his life should orbit.
It shouldn't work, but it does: the movie walks a tightrope between juvenile, go-for-broke gags and a genuinely sweet center. The gross-out bits are outrageous, the pacing never drags, and Dillon in particular is a stealth MVP, proving he can throw elbows in a straight-up comedy. Underneath the silliness is an actual heart, which is why it still plays instead of just feeling like a time capsule of bad behavior.