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10 Things I Hate About You: Untold Set Secrets That Will Change How You Watch It

10 Things I Hate About You: Untold Set Secrets That Will Change How You Watch It
Image credit: Legion-Media

Twenty-seven years after 10 Things I Hate About You hit theaters, it still outshines its late-90s rom-com peers, with Julia Stiles, Heath Ledger, Larisa Oleynik, Joseph Gordon-Levitt and David Krumholtz delivering lightning in a bottle — but the wildest story was the one off camera.

Some movies fade into nostalgia. '10 Things I Hate About You' is still living rent-free in 2026. Twenty-seven years on, the Julia Stiles/Heath Ledger-led Shakespeare remix keeps coughing up new stories from set that feel as dramatic as the movie itself.

The poem that wrecks everyone? Two takes. Real tears.

That final classroom scene where Kat reads her poem to Patrick was shot in only two takes. Stiles told Bustle in January 2025 that her tears were not in the plan; she did not expect to cry. It was the end of a summer shoot, her first studio lead, she loved the role, loved the cast, and the weight of it all just hit at once.

The weird part: the crew captured the raw emotion... and then had to toss the audio. A creaky camera dolly ruined the track, so months later Stiles re-recorded the whole thing in ADR, including the sound of getting choked up. If you ever needed proof that movie magic is half emotion, half problem-solving, there you go.

Near-miss castings that would have been a totally different movie

Casting director Marcia Ross told The New York Times in 2019 that Kate Hudson was a serious contender for Kat, but her mom was not into the script and they passed. Katie Holmes was also in the mix but was on the verge of landing 'Dawson's Creek,' so the team had to move fast. The clincher: Julia Stiles and Heath Ledger had the best chemistry, period.

Patrick Verona almost looked different too. Per The Independent, Josh Hartnett was considered (he would headline 'Pearl Harbor' two years later), and Ashton Kutcher circled the role before doing 'Dude, Where's My Car?' instead. In the end, '10 Things' became Ledger's first U.S. film, which worked out pretty well for, you know, the history of movie charm.

Gabrielle Union was not actually a teen

Gabrielle Union told the Times she was more than 10 years older than some of her castmates — a few were literally still in high school — while she was playing 15. She joked about keeping her references young so she did not give away her age. If you ever sensed a little 'these kids' energy in her delivery, now you know why.

The rooftop concert that almost got the director nuked

Letters to Cleo belting 'I Want You to Want Me' on top of Padua High is an all-timer, but the studio really did not want to foot the bill for the helicopter shot. The band’s singer Kay Hanley told the Times they got two takes, everyone assumed it would not work, and the director had basically gone rogue on a very pricey gamble. Oh, and they were crammed on a tiny roof with only chicken wire between them and a very long fall toward the Puget Sound. Casual.

'He had just blown through half a million dollars doing this shot he was forbidden to do.'

That forbidden shot? Ended up iconic. Career intact.

Yes, Heath actually sang

Ledger doing 'Can't Take My Eyes Off You' on the bleachers? That is his real voice. Choreographer Marguerite Pomerhn Derricks told HuffPost in March 2019 that the singing impressed her most because you can fake a lot of things on camera — vocals are not one of them.

Where they shot it (so you can plan your pilgrimage)

  • Stadium High School in Tacoma stood in for Padua High.
  • Seattle Center is where Patrick serenades Kat with the marching band assist.
  • Gas Works Park shows up during their date sequence.
  • The University of Washington appears in campus shots.
  • Green Lake Park is where you will spot some of the biking and walking scenes.

Why it still lands

Between the cast — Julia Stiles, Heath Ledger, Larisa Oleynik, Joseph Gordon-Levitt, David Krumholtz, Gabrielle Union — and a crew that quietly pulled off wild swings (some by accident, some by helicopter), the movie hits that rare sweet spot: slick studio rom-com with messy, real edges. If you rewatch it obsessively for new details, you are not alone — it just keeps giving.